![]() "Once I'd set my own rules for how I would design everything, it became fun to see what could be adapted in new and interesting ways."Īfter that began what he saw as the most daunting task: the 11 area Illustrations. He then moved on to the mysterious symbols used to identify the different stages and areas of the festival site. "These are styles I like to play with in all aspects of my work." "I wanted to add a sense of three-dimensional geometry and some colour, and I wanted it to be quite playful," he explains. Murugiah's process began with a reinterpretation of the famous Green Man Logo. I later discovered the artwork was very well received upon its initial reveal." Logo and illustrations But eventually, we all agreed on the path and took it. "There was an initial concept phase, and the folks at Green Man took a little convincing on my ideas. "It was simply to interpret the various deliverables how I saw fit," Murugiah reveals. The brief was pretty straightforward, too. I'm Welsh and went to school in Newport, which is only a few miles from the Green Man site, so it was very special for me." I knew I wanted to work on a festival identity, and I couldn't think of a better one than this one. I've never been one to rest on my laurels. "Like many of my projects, I contacted Green Man festival and asked if I could work with them," he explains. The way this latest project came about was pretty straightforward. ![]() "Stylistically, the work explores identity through vast surreal compositions and vivid patterns and colours." "I'm always interested in speaking about what it means to have different identities through my background as an English-born, Welsh Sri Lankan," he explains. In general, he says, his work is focused on identity. Murugiah is an award-winning multidisciplinary artist currently living in London. Read on to discover the thinking behind his Green Man 2023 illustrations and how he went about creating them in practice. (Not to mention the chilled-out vibe, the beautiful scenery and the 50/50 gender split line-up.) So when we were offered the opportunity to chat with Murugiah, who designed the branding for this year's event, we jumped at the chance! Our favourite festival of all is Green Man, a music, science and arts weekender held in the Black Mountains of Powys, Wales, that really hits that perfect balance between world-class bands and the visual arts. And as always, we're keen to point out visual arts are now key to the music festival vibe. That said, increasingly, festivals aren't just about the music but cover the whole gamut of creativity. With memories of the pandemic fading into the background, everything from giant gigs like Glastonbury to small and intimate local events has returned with a vengeance.Ĭonsequently, millions of us have taken advantage of some great weather to enjoy the great outdoors and some incredible bands. Taken together, we find a cross-pollinating global scene of producers making genuinely forward-thinking and no-name electronic music - interconnected, but only just.The summer of 2023 has been an amazing year for UK festivals. Elements of hip-hop and RnB creep through in label-heads Facta & K-LONE’s ‘Kiss Me, Can’t Sleep’, while UK artists Henzo, Clemency, Yushh and Hussko pull things closer to the slow/fast stepping rhythms of dubstep and drum and bass. Salamanda and abentis - from South Korea and Japan respectively - contribute low-slung, tripped out takes on ambient and downtempo, finding close sonic counterparts in UK producers Iglew and Glances. Nick León represents the booming Miami scene, where Latin American sounds are being reimagined and reframed to create something kindred with UK bass music. ‘To Illustrate’ attempts to capture just a small slice of the action taking place here, and looks to an international pool of producers and interrelated sounds to do so. Whether it’s the reggaeton-inspired club music coming out of the Americas, the resurgence of downtempo and trip-hop influences in ambient and electronica, or the chuggy UK bass variants coming out of cities like Bristol, London and Manchester, there has been an unprecedented creative buzz around these slower BPMs. ![]() It’s been impossible to miss the unparalleled levels of creativity taking place at lower tempos in recent years. ![]() ‘To Illustrate’: a new collaborative album co-produced by a group of artists from the extended Wisdom Teeth family, spotlighting a scattered scene of producers making forward thinking electronic music of various hues around the 100 bpm mark.
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